By Anjali JosephTulika Ladsariya puts her head to one side, and says,
I suppose there are two aspects to my work: One is technically sophisticated and the other is very childlike. This dichotomy was visible in her first group show, Urbanscapes, this year at Mumbais Jamaat gallery.
Her work was divided between small, naive plaster tapes and striking canvases using oil and acrylic paint to show a familiar yet rarely depicted scene: Two construction workers standing on a balcony, looking out over the city part trees, part sky, part other construction sites. The figures of the workers were blacked out, so that the viewer almost felt she had become one with them a radical thought, given that such workers, often migrants, are part of the unseen, unnoticed landscape of Mumbais metropolis that they largely construct.
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